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Digital playback technology is now co≈'>mmonly viewed as a mature field§✘, where groundbreaking discoveriesγ♦₹€ have already occurred, and £εthe consumer can expect a★π✔ higher level of performance, mor>₹↓¶e features, and a lower price tag as th∞¶ e industry moves forward. After all,★₹₹​ the first digital PCM recording was cr™≈§eated in 1971 by NHK, and Sony and Ph™•'σillips debuted prototype compa£♥ct disc players in 1979. Today a 4K ₽©≥blue-ray DVD player can be bought γγ for a couple of hundred¶≈±€ dollars, and they practically give awa♦→€y a standard run of the mill comp≤' act disc player anymore, '¶>and they typically reside a <₹≠t the lower end of the ma∞≈φ₹rket. Although not all is>↕↑δ lost, and there is certainly a se™ δ↓lection of mid-priced ★<machines targeted at the t&↔∑raditional audiophile. >☆÷"It cannot be denied that audio stream≥±™≠ing sites such as Tidal o∞<r Qobuz have moved to the foreβ€$front of our hobby, and these venues p>∏rovide high bit rate files at a reaso∑​nable monthly subscription cos≠•t. So, what does this mean for audio®♦philes who are searching for except↕✘ional digital playbackε→¶ and want a solid return on investme¥♦nt for their monies spent? On one ha‍€ ​nd you can purchase a Topping DAC€∏☆‍ that will support DSD 512, €↑have balanced outputs, and♥×> boasts an ultra-low jitter receive>±•r stage. To the typical ho₽±"bbyist this kind of product checks all ‍αthe audiophile boxes, rigφ∑ht? On the other end of the spectrum &±∏are the top-of-the-line pieces fromβ∏× MSB, dCS, Gryphon, or Esoteric. These ₹ ★♣are components that c ★'an range from $35,000 and continue wel∏★l past $100,000. What course o'¶$'f action should the thoughtf★®&ul audiophile take t✔‍hese days? Over the years I have lisγ♠±tened to a wide array of Digitaλ‌€→l to Analog converters and have yet t☆≠☆§o find one that soundly trou"σ≥nced my long-time reference mul₹∞ti-bit DAC that utilized th'★☆e Burr Brown PCM1704 chip set. Las♥'→t year I purchased a Tri§$Ωnov Amethyst preamplifiσ↕ ≠er, and one attribute it has i Ω→s an internal DAC. Now the presentat÷‌✘÷ion of music differed from my r  α₩eference machine, yet I foun£♥ΩΩd this DAC to be an incremental im​  ↓provement, and so I put my Audio Ma∏ "σgic Kukama out to pas"‌♠↕ture. As fate would have it, tγγλ​his summer I received÷£₽ a call from Arthur Power of Power H≤↕∞÷oldings Inc about a D←←σAC from Cen.Grand Audio that h✘₹e strongly encouraged me to audition™π¥. Normally I take the ↕÷"™summer off and take the time to refresh♦® and recharge. Yet after listen₩€ing to Arthur I was intrigued, so w∞™≈e arranged delivery of the D♣€'αSDDAC 1.0 Deluxe DAC, andΩ₽× I have to say spending time with↔<‌ this piece has been an eye-opening e"↑xperience. The DSDAC 1.0 Del"¥≠uxe sells for $6219.§σ®95, which falls into‍↑ the niche of affordable hi¶←←gh-performance audio. I suggest you≥™←∞ look closely at this machin≈£e, because this DAC  ≠≈'plays music in a way that resets the p←φ>"aradigm of what high eγ₩•₽nd digital should cost. In addition, ↕§it has eye catching good ‌σ★looks and a build quality tπ'♦hat is not expected atλ ελ this price range.

       數∞δ∞(shù)字播放(fàng)技(jì)術(shù)現(xiàn)在被ε₹ £普遍視(shì)為(wèi)一(yī)個(gè)成熟的(de)領域，已經取得( ↔de)了(le)突破性的(de)發現(xiàn)，随著(zhe)行(xínα ↕g)業(yè)的(de)發展，消費(fèi)者≠πε可(kě)以期待更高(gāo)水(shu¥♥≤↑ǐ)平的(de)性能(néng)、更多(duō)功能(€φ‍néng)以及更低(dī)的(de)價格标簽。畢竟，NHK于1♥←™971年(nián)創造了(le)第一(yī‍±'σ)次數(shù)字 PCM 錄音(yīn)，而索尼和(hé)飛(fēi)利浦✘∏在1979年(nián)推出了(le)原型©₹✘緊湊光(guāng)盤播放(fàng)器(qì)。如(rú)今，一(yī)台♦≈ε¥4K藍(lán)光(guāng)DVD播放(fàng)器(qì)可(k∞♥£φě)以用(yòng)幾百美(měi)元買到(dào)，‌§β而普通(tōng)的(de)标準緊湊光(guāng)盤播放(fà>∑ ng)器(qì)幾乎被送出去(qù)了(le)，通(t & 'ōng)常位于市(shì)場(chǎng)的(de)低(dī)端。盡管情況并π∞♣非一(yī)片絕望，當然也(yě)有(yǒu)一(yī)些(xiē)中價位的(Ω≤÷de)設備針對(duì)傳統發燒友(yǒu)。不(bù)可(kě)否認的¥™β×(de)是(shì)，音(yīn)頻(pín)流媒體(tǐ)網站(z∞α←×hàn)如(rú)Tidal或Qobuz已經成為(w∞€€βèi)我們愛(ài)好(hǎo)的(de)前沿，并且‌δ這(zhè)些(xiē)平台以合理(lǐ)的☆♥¶π(de)月(yuè)費(fèi)提供高(gāo)比特率的(de)文(wén"±→)件(jiàn)。那(nà)麽，對(duì)于那(εα±≠nà)些(xiē)尋求出色數(shù)字播放(fàng)，并希望對(duì) ÷∞≠他(tā)們花(huā)費(fèi)的(de)資金(jīnσ♦)有(yǒu)穩健回報(bào)的(de)發燒友(yǒu)來(l→≤ ái)說(shuō)，這(zhè)意味著(zh↔↑e)什(shén)麽呢(ne)？一(yī)方面，‍★™™您可(kě)以購(gòu)買一(yī)款Topping DAC，σ'它支持DSD 512，具有(yǒu)平衡輸出，↑★ ₽并擁有(yǒu)超低(dī)抖動的(de)接收器(‍∞qì)級。對(duì)于典型的(de)發燒友(yγ€σǒu)，這(zhè)種産品符合所有(yǒu)發燒友±☆₹'(yǒu)的(de)标準，對(duì)嗎(ma)？另一(yī)方面，" 還(hái)有(yǒu)來(lái)自(zì)MSB、dCS、Gry©©¥phon或Esoteric的(de)頂級産品。這(zhè)些(xiē)組件(↓¶jiàn)的(de)價格範圍從(cóng)35,000美(měi♥γ)元到(dào)遠(yuǎn)遠(yuǎn)超過100♠®,000美(měi)元。現(xiàn)在，深思熟慮的(de)發燒友(y₽εǒu)應該采取什(shén)麽行(xín'Ω¥ g)動？多(duō)年(nián)來(lái)，♦≠α我聽(tīng)過各種各樣的(de)數(shù)字模拟轉換器(≈ε ♥qì)，但(dàn)還(hái)沒有(yǒu)發現(xiàn)一(yī)款能★λ∑(néng)夠徹底擊敗我長(cháng)期參考的(de)使用(yòn‍""g)Burr Brown PCM1704芯片組的(de)多(duō)位 ♥♠♥DAC。

      去(qù)年(nián)，& ♦β我購(gòu)買了(le)一(yī)台Tr•§inov Amethyst前置放(fàng)大(dà)器(q>✔€ì)，它具有(yǒu)的(de)一(yī)個(gè)特點是(shì)φ÷內(nèi)部DAC。現(xiàn)在，音(yīn)樂(y× ÷∑uè)的(de)呈現(xiàn)方式與我的(de)₩&參考設備有(yǒu)所不(bù)同，但(β☆ dàn)我發現(xiàn)這(zhè)個(gè)DAC是(shì)一( βyī)個(gè)漸進的(de)改進，所以我把我的(de)Audio Magiσ∑₩∞c Kukama淘汰了(le)。命運似乎安&•≤↕排，今年(nián)夏天我接到(dào)了(le)Power Holdi≈¶ngs Inc的(de)Arthur Power的(de)×≥電(diàn)話(huà)，他(tā)強烈建議(yì)我試聽(tī∑α §ng)來(lái)自(zì)Cen.Grand Audio的(≠σ© de)一(yī)款DAC。通(tōng)常我會(huì)在夏✘≥↔天休息，花(huā)時(shí)間(jiān)恢複和(h↕₹é)充電(diàn)。然而，在聽(tīng)完Arthur的(de♣✔)介紹後，我感到(dào)很(hěn)好(hǎo)奇÷ ，于是(shì)我們安排了(le)DSDDAC 1.0 Deluxe ≥→↓>DAC的(de)交付，我不(bù)得(de)不(b™£ ù)說(shuō)，與這(zhè)款産品共度的(de)時(shí)光(guān₽ g)是(shì)一(yī)次開(kāi)闊§₽視(shì)野的(de)經曆。DSDAC 1.≠" δ0 Deluxe的(de)售價為(wèi)62₩→σ★19.95美(měi)元，屬于價格實惠、性能(néng)出色的(de)音(yī∞βn)頻(pín)産品。我建議(yì)您仔細→✘£觀察這(zhè)款設備，因為(wèi)這(zhè)款DAC以一(∞"yī)種重新定義高(gāo)端數(shù)字音(yīn)頻(pín)價格"​®✔的(de)方式播放(fàng)音(yīn)樂(yuè)。此外(wε​ài)，它具有(yǒu)引人(rén)注目的(deα$)外(wài)觀和(hé)在這(zhè)個(gè)價位上(shàng)意想"φδ不(bù)到(dào)的(de)建造質量。

The DSDAC1.0 (Deluxe) is the flag≥↑ship model from Cen.Grand∞λ that is a DSD based DAC which resampl₹<©βes all incoming data to t γ ✔he DSD format. The propri¥ δetary software to achieve tπ₽his is a custom program ≥★$that took five years to develop€♥★β. The software is embedded on a pa¥β♠ir of Field Programmable Gate Array €∞&(FPGA) chips and allow©♠×​s for DSD conversion starting at DS✘ΩD128 and scales up to DSD1024. The£↕₩Ω reality is this DAC i§€₩ s unusual as it is a sophisticated d¶σ'esign that attacks the challenge★♦s of digital playback in a thoughtful a₽™nd sophisticated manner. I could writ♥Ω$e pages about the remar©>kable details of the construction of th®↔$'is DAC, yet I will try to be conci• ←se and touch on the highlights that y→ε↑•ou need to be aware of ♥✔ε≈to understand why this piece is uniquel≥₽§y special.

Audiophiles often feel that jitter i£™s no longer a major issue in the re β₽alm of digital playback, y¶₹et that is not the complete story. π Timing errors are still a critical sect  ™&or of digital playbac• k, and the Cen.Grand DAC empl®λoys an ultra-precise femtosecond ↔¥"clock generator to addre™®∑☆ss one aspect of this issue. Furtheδσ≠♥rmore, this clock signal is n$∞ot passed through a frequency dβα§‌ivider, which can in‌δ∑crease the jitter factor. ∞∑βThe result is you get a jitte∞÷φαr level of 100 femtoseconds or .£¶1picoseconds.

       DSDAC1.♥♦0（Deluxe）是(shì)Cen.Grand的(de)旗艦型号，是'↑(shì)一(yī)款基于DSD的(de)數(shù)字模拟轉換器(qì)，☆♠ε可(kě)以将所有(yǒu)傳入的(de)數(shù)據重新π¥÷$采樣為(wèi)DSD格式。實現(xiàn)這(δ≤zhè)一(yī)功能(néng)的(de)專有(yǒu)φβ✔軟件(jiàn)是(shì)一(yī)個(gè)定制€♥&(zhì)程序，曆時(shí)五年(nián)開(kāi)發。這(z"λ∏≈hè)個(gè)軟件(jiàn)嵌入在一(yī)對(♠επduì)現(xiàn)場(chǎng)可α‌✘(kě)編程門(mén)陣列（FPGA）芯片上(shàng)，允許DSD★φ©"轉換從(cóng)DSD128開(kāi)始，擴展到(dào)DSD1024≠₩♣≤。事(shì)實上(shàng)，這(zhè)款≥$DAC非同尋常，因為(wèi)它是(shì)一(yī)種複雜(zá)的(de"↓ε<)設計(jì)，以一(yī)種周到(dào)而精緻的(de)方式應對(&γ‌♦duì)數(shù)字播放(fàng)的(de)挑戰。我可(kě)以♦§₽寫下(xià)關于這(zhè)款DAC構造的(de)卓越細節的(de)篇幅，但÷±™(dàn)我将嘗試簡潔扼要(yào)地(dì)介紹您需要(yào)了(le)☆€‌解的(de)亮(liàng)點，以便理(lǐ)λ​↓解為(wèi)何這(zhè)款産品獨具特色。

      發↑↑™λ燒友(yǒu)們通(tōng)常認為(wèi)σ£δ♣在數(shù)字播放(fàng)領域，抖₽π動不(bù)再是(shì)一(yī)個(gèε")主要(yào)問(wèn)題，然而這(zhè)并不(bù)是(shì)完<₽γ±整的(de)故事(shì)。時(shí)間(jiān)錯(cuò)誤₽ ÷仍然是(shì)數(shù)字播放(fàng)的(de)一(yī) ¥$≤個(gè)關鍵領域，而Cen.Grand DAC采用(yòng)了(lγ‍≠$e)超精密的(de)飛(fēi)秒(miǎo)級時(shí)鐘♥$​ε(zhōng)發生(shēng)器(qì)來(lái)解決這(zhè"✔•→)個(gè)問(wèn)題的(de)一(yī)個( ★↕gè)方面。此外(wài)，這(zhè)個≥←✘(gè)時(shí)鐘(zhōng)信号不(σ↕bù)會(huì)通(tōng)過頻(pí¥¥n)率分(fēn)頻(pín)器(qì)₩≈×≥，這(zhè)種設備會(huì)增加抖動因素。結果是(shì)您得(d÷πe)到(dào)了(le)100飛(fēi)秒(miǎo)或0.1₽λ∑皮秒(miǎo)的(de)抖動水(shuǐ)平。

USB input is accomplished•↔↔♠ by a XMOS XU208 interface that isλε≈∑ an asynchronous data transfer po€αφrtal. Typically, this is thoλ ught to be the accepted solution ∑←to jitter issues with incoming data >≠$↑signal. Cen.Grand has a ±&≠proprietary feature nam®÷λed "clock blocking" that ♦↑✘™solves anomalies createdα♠ by the digital source ​×∏clock, and does it without using '✔"asynchronous sampling rate conver÷§sion (ASRC), which is an  ×φ≥often-used solution by many dδ♦esigners. Here is the intere•♠α↕sting part about asynchronous datλ£÷Ωa transmission and what clo₽π∑‍ck blocking protocol acc™←‍omplishes. When ASRC is selected, on♣✔δe or more interpolation alg≠✔orithms will be utilized such as>↑ Linear Interpolation, Bilinea₹ ₹r Interpolation, Cubic Spline Interp©↔₽olation, etc. The use of interp>>olation adds non-original data to the m"¥usic stream, the data is no longer bi↕€∏γt perfect. A-synchronous is an impr÷→✘←ovement over synchronous♠ε USB audio in that it all★><$ows the use of a higher•♣ quality local clock in the β$ DAC instead of the one in‍₩ ♣ your computer, however↑₩, it also has an inherent flaλ 'w or drawback in that i€​δt adds this non-orig<$inal data to the music stream.≈¶↑ Audio data is not removed ¶, but additional data is adλ♠αded so, it is no longer technically bit perfect. Cen​↓∞♣.Grand states that ASRC is a©ε♣‌n advanced technology, but it•♦λ negatively affects audio quality. So J←÷<×ianHui Deng has been able ‍ to implement a process that‌ γ synchronizes a low jitter clock↔ < signal at the same time wi∏ ≤"thout ASRC. This is the underlying ma✘β←gic! The integrity of th&♥Ωe data including its t'₹♣iming markers is maintained,ε< but the input clock is rep≥ ↕<laced with a very high-quality local ♥₽ ​femtosecond clock that impr♣←☆€oves the accuracy of the digita¶♥‌l to audio conversion. Th≈©∏σis new incorporated h≠σ ®igh quality clock signal ¶ added to the music data (without t​↑∏εhe interpolation algorithms) en₩®λ>sures a highly precise¶Ω±≤ DA process, so the purit ☆$y of the signal is per÷β× fect, and the original music quality​ε™Ω is maintained. Now JianHui Deng has €α≈‌been able to implement a process th÷><φat maintains a continuous data flow¥↕δ throughout the DAC, &ε₩™and synchronizes a low jitter cloc>§k signal at the same time. Thi₽≤‍s is the underlying magic! The integrit​♣©πy of the data signal including its ₩ timing markers is maintained in such✘↑ a way that the purity of the signal anΩ¶♣ d thus the music is maintained.

      λ←∏USB輸入是(shì)通(tōng)過一(yī)個(gè)​§XMOS XU208接口實現(xiàn)的δΩ★(de)，這(zhè)是(shì)一(yī)個(gè)←♠‌異步數(shù)據傳輸門(mén)戶。通(tōng)常，這(zhè)≥∞&被認為(wèi)是(shì)解決傳入數(shù)據信号抖動問(wèn)題©£↓的(de)可(kě)接受解決方案。Cen.Grand擁$$Ω有(yǒu)一(yī)項名為(wèi)“Clock Blo¶≠ ‌cking”的(de)專有(yǒu)功能(néng)，用(yòn©εg)于解決數(shù)字源時(shí)鐘(zhōng)引起的(λ>de)異常，并且在解決這(zhè)個(gè)問(wèn∑&★)題時(shí)不(bù)使用(yòng)異步采∞♠ε樣率轉換（ASRC），這(zhè)是(shì)許多(duō)設計(jì£λ)者經常使用(yòng)的(de)解決方案。以下(xià)是(s← ×♦hì)關于異步數(shù)據傳輸以及Cloc ®βk Blocking協議(yì)的(de)有(yǒu)趣部分(fēn)。當選擇÷±λ₽ASRC時(shí)，将使用(yòng)一(yī)個(gè)或多(d>♥ φuō)個(gè)插值算(suàn)法，例如(rú)線性插©€ 值、雙線性插值、三次樣條插值等。使用(yòng)插值會(huì)向音(yβ©♠īn)樂(yuè)流添加非原始數(shù)據£¶₩，數(shù)據不(bù)再是(shì)完全位完美(měi)的(d☆ε ×e)。異步比同步USB音(yīn)頻(pín)更好₹"™¶(hǎo)，因為(wèi)它允許DAC中使用(yòng±€)高(gāo)質量的(de)本地(dì)時(shí)鐘(zhōng)，而★¶λ不(bù)是(shì)計(jì)算(suàn)機(j★σσī)中的(de)時(shí)鐘(zhōng)，但(dà"β♠n)是(shì)它也(yě)有(yǒu)一<<✘(yī)個(gè)固有(yǒu)的(de)缺♠₹陷或弊端，即它會(huì)向音(yīn)樂(β‍©yuè)流添加這(zhè)些(xiē)非原始數(shù)據。音(↔↔yīn)頻(pín)數(shù)據沒有(yǒu)被移除，但(dà®×n)是(shì)額外(wài)的(de)數(shù)據被添加，因此它不(bù)¥™&再是(shì)技(jì)術(shù)上(shàng)的(de)完全位完美(m"↔Ωěi)。Cen.Grand表示，ASRC是(shì)一(yī)種先"∞進技(jì)術(shù)，但(dàn)它對(duì)∞ 音(yīn)頻(pín)質量有(yǒu)負面影(yǐng)響。因≤<‌此，鄧建輝已經成功實施了(le)一(yī)個(gè)進程，可(kπ¶εě)以在沒有(yǒu)ASRC的(de)情況下(xià)同步低(dī×₩σ→)抖動時(shí)鐘(zhōng)信号。這(zhè)就(jiù)↔δ®是(shì)其中的(de)奧秘所在！數(shù)據€÷↑的(de)完整性，包括其時(shí)間(j>®iān)标記，得(de)到(dào)了(le)保持，但(dàn)是(®₩αshì)輸入時(shí)鐘(zhōng)被替換為(wèi)一(y♥‌βδī)個(gè)非常高(gāo)質量的(de)本地↓¥β₩(dì)飛(fēi)秒(miǎo)級時(shí)鐘×☆(zhōng)，提高(gāo)了(le)數(shù)字到(dào)音(yīn뮣)頻(pín)轉換的(de)精确性。這(zhè)個(gè)新加入音(yīn)樂∞↔(yuè)數(shù)據的(de)高(gāo)質量時(shí)ε"鐘(zhōng)信号（沒有(yǒu)插值算φ"(suàn)法）确保了(le)高(gāo)度精确的(de)DA過程，↕↑因此信号的(de)純度是(shì)完美(mě♦★÷✔i)的(de)，原始音(yīn)樂(yuè)的(de)質量得(de)到(dào λ✔←)了(le)保持。現(xiàn)在鄧建輝已經成‌$‍¥功實施了(le)一(yī)個(gè)在整個(gè)DAC中保持連續±↑§∞數(shù)據流，并同時(shí)同步低(dī)抖動時(∏​✔€shí)鐘(zhōng)信号的(de)過程。這(zhè)就(jδ‍iù)是(shì)其中的(de)奧秘所在！數(shù)據信号的(de)λ ✘完整性，包括其時(shí)間(jiān)标λ₽記，得(de)到(dào)了(le)保持，從(cóng)而保持了(le•✔ )信号和(hé)音(yīn)樂(yuè)的(de)純度。

The output stage is another building b≠πlock of the DSDAC1.0 (Deluxe)δ‌β DAC. The circuit is a linear balance λφ★d circuit designed b≤'÷∏y JianHui Deng. The power suppl £ y uses dual toroidal tra€≠¥∞nsformers to supply theσ'$ digital and analog halves of tγ™λhe DAC. Discreet components a≤≥∞¥re exclusively used in the output stage✘&, there are no op-amps to be found♣₹∑​ at all. The chassis is buil ★t from substantial aluminum material, a≥¥nd the power supply &σis in a sectioned compartment away•¥ from the main circuit boa©βασrd. A crosscut finish is applied ✔©←¥to the aluminum, which gives the cha∏×ssis a refined presentation. F§©inally, there is electromagnetφ ic isolation between the US≈$B input and the main board≥∏ of the DAC, so every effort to comb∑•‌at system noise is being used in the →←$DSDAC1.0 (Deluxe) by↑ ≈γ Cen.Grand.

       §'σ;輸出級是(shì)DSDAC1.0（DelΩ¥∞€uxe）數(shù)字模拟轉換器(qì)的(de)另β∑&一(yī)個(gè)基本構件(jiàn)。該電(diàn)路β₽§(lù)是(shì)由鄧先生(shēng)設計(jì)的(de)線≥≈ 性平衡電(diàn)路(lù)。電(diàn)∏•↓ε源使用(yòng)雙環形變壓器(qì)為(wèi)DAC的(de)σ✘±γ數(shù)字部分(fēn)和(hé)模拟部分(fēn)供電 ×≈(diàn)。輸出級别專門(mén)使用​γ(yòng)離(lí)散元件(jiàn)，完全沒有(↑↕yǒu)使用(yòng)運算(suàn) ₽放(fàng)大(dà)器(qì)。機(jī)箱由堅固的(de)鋁→∏材料制(zhì)成，電(diàn)源則位于主電(diàn)路(l♥​¶✘ù)闆的(de)隔斷區(qū)。鋁材經過了(le)交叉切割加工σ✘↔∑(gōng)，使得(de)機(jī)箱呈現(xiàn)出精緻的(de)​ α§外(wài)觀。最後，在USB輸入和(hé)DAC的(de) ÷主電(diàn)路(lù)闆之間(jiān)采用(yòng)了(le)電(♣≈→δdiàn)磁隔離(lí)，因此Cen.Grand的(de§δσ)DSDAC1.0（Deluxe）采取了(le∞ •¥)一(yī)切措施來(lái)對(duì)抗←★±→系統噪音(yīn)。

This DAC does have p≥↑£¥reamplifier capability ‌$also. The user can choose to confλ igure the unit as a stand-alo☆γ→<ne DAC or select the variable outp≥π₹≈ut option where a volume control±'✔ using a resistor ladder format &₩→allows both precise volume contr×πol and retains the purity of the a♣✔αudio signal. This allows for connecti£±↕αng the output of the DAC d"<irectly into a power γ amplifier with either XLR or RCA outp←↑ ±ut cables. Please noεφΩ™te that additional inputs are not aσ‍vailable on this piece, ↓®≤∑so it will not be a contrγ£ol center for other components≠♦. One thing to notice is t✘✔∏he quality of parts uΩγsed throughout this DAC, as §¶≤you will find Nichicon Muse cap★>÷acitors,  Neutrik XLR sockets,®≤↑β and many other upper tie≠✘Ωr parts. Every piece of the DSDAC1.0  λ≥₽(Deluxe) has been selectαγ§₩ed for superior performan×₹ce, and prospective owners a∞•÷≈re receiving a piece built to demandi  ☆​ng expectations.

Many of my listening sess↓♣✘ions with the Cen.Grand DAC occ★₹♥¶urred as a stand-alone com¥γponent, with the preamplifier duΩ‌•ties overseen by a Trinov ↕☆β₹Audio Amethyst. AS McIntosh≤∏¥≠ Mini desktop computer is the music ser₽'≈±ver with Roon and Audirvana≥≠<ε software used in conjunctio÷§™©n with Qobuz for streaming duties. A→©π pair of Classe Audio Omegaγ ≈¶ mono-block amplifierπ↑↔s drive my Martin Logan CLX♠↓ ART electrostatic spe≠↑↑Ωakers. A pair of restored Velodyne HG≤✘☆ S12 subwoofers take care of the loε♦✔wer registers. A BPT 3.5 Signature Pl&®ε us power conditioner is paired with t≠© he PI Audio Group powe÷  ÷r cords to provide clean filtered AC poΩ♦×♣wer. Interconnects are the Wir ¥eworld Gold Eclipse XLR, and sp$♣<↑eaker wire is Wireworld Eclipse 8. ‌☆≥I should also mention that ↑™¶δI spent time listening to the DSε±β<DAC1.0 (Deluxe) as a stan★§✔dalone unit, so we can discu≠"∞Ωss how it functioned as a¶§  preamplifier.

       這(zhè)款DAC還(‍♠→®hái)具備前置放(fàng)大(dà)器(qì‍ ✔‍)的(de)功能(néng)。用(yòng)戶可(kě)Ω✘>≈以選擇将該單元配置為(wèi)獨立的(de)☆>$DAC，或選擇可(kě)變輸出選項，使用(yòng)阻值π✘¥階梯格式的(de)音(yīn)量控制(zhì)器(qì)，既可→×‍φ(kě)以進行(xíng)精确的(de)音(yīn)量控制δ€φλ(zhì)，又(yòu)可(kě)以保持音(yīn)頻(pín)信号的(de¶π)純度。這(zhè)使得(de)可(kě)以使用(yòng)XL™♠±↕R或RCA輸出電(diàn)纜将DAC的(d"♦<e)輸出直接連接到(dào)功率放(fàng)大(dà)器(qì)。請(qǐφ×πng)注意，此器(qì)件(jiàn)上(shà$‌∑₽ng)沒有(yǒu)額外(wài)的(de)輸入，因此它不(bù)會(huì)÷"§成為(wèi)其他(tā)組件(jiàn)的(de)控制(zhì)中€∏★心。值得(de)注意的(de)是(shì)，該DAC所使用(yòng)的(σα↕de)零部件(jiàn)質量，包括尼吉康Muse電(diàn)容、Neutr✔✔♥₩ik XLR插座以及許多(duō)其他(tā)高(≤ ☆✘gāo)級零件(jiàn)。DSDAC1<αΩ.0（Deluxe）的(de)每個(gè)部件(λ≤jiàn)都(dōu)經過精心挑選，潛在的(de)擁有(y∞₩♥ǒu)者都(dōu)将收到(dào)一(yī)款滿足嚴格期望的(de®>')産品。

      &♣±nbsp;我與Cen.Grand DAC的(de)許多(<αεduō)聽(tīng)音(yīn)會(huì)都(dōu)是(shì)作(z σ↑δuò)為(wèi)獨立組件(jiàn)進行(xíng)的(d>‌e)，由Trinov Audio Amethyst負責前置放(f¶÷∞€àng)大(dà)器(qì)的(de)職責。McIntos↔✔β≠h Mini桌面電(diàn)腦(nǎo)是§✘‌"(shì)音(yīn)樂(yuè)服務器(qì)，→¶'與Roon和(hé)Audirvana軟件(jiàn)一(yī)起使≤€∏用(yòng)，并搭配Qobuz進行(xíng)流媒✔★&λ體(tǐ)播放(fàng)。一(yī)對(duì)Cl♥π₽©asse Audio Omega單聲道(dào)功放(fàng)驅動著(zhe£φ")我的(de)Martin Logan CLX ART靜($↕γ÷jìng)電(diàn)揚聲器(qì)。一(yī)對(du←↔×Ωì)恢複過的(de)Velodyne HGS12子(zǐ>&✘↓)音(yīn)箱負責低(dī)頻(pín)段。BPT 3.5 Siσ÷gnature Plus電(diàn)源調節器(qì$☆≈)搭配PI Audio Group電(diàn)源線，提供幹淨的(≠<de)過濾交流電(diàn)源。連接線是(shì)Wireworld G↕"old Eclipse XLR，喇叭線是(shì)Wireworld ✘←Eclipse 8。我還(hái)要(yào)提到(dào)♥₩™，我花(huā)時(shí)間(jiān)将DSDAC1.0（Deluxe）∞✔£©作(zuò)為(wèi)獨立單元進行(xí↔φ &ng)聽(tīng)音(yīn)測試，因此我們可(kě£π♣σ)以討(tǎo)論其作(zuò)為(wèi)前置放(fàng)大(dà↓↓)器(qì)的(de)功能(néng)。

If I were asked to sum up the sonic cha"•→φracter of the Cen.Gra∏¥nd DSDAC1.0 (Deluxe) DAC, I‍©₽ would unhesitatingly₩± use the phrase " ≤λ;sounds like vinyl." This ‍÷ comparison is not an exaσ&®ggeration or hyperbole✘≠, but rather as accurate♠•  a description as I ¥∞↔can imagine. My reference record s≤ ‌pinner is a SOTA Cosmos Eclipse/SME ε≠‍↑5 combination that isεγ‌ fitted with a Transfiguration Audio Pr←¶♥oteus cartridge. This pair↑•ing has a cohesive p &resentation that ebbs and flo &∞ws with a refinement that is noδ®≥ t equaled by any of the d∏←Ωigital to analog conver¶±☆<ters I have spent time with. The SOTA ₹↕£₹combination does not lack low level d‍↕etail, is not dynamically limite♦♠±"d, and does not roll Ω≥off the frequency extremes of music. ₩★The Cen.Grand DAC has a cohesive∏λ<  presentation that closely tracks the e'÷××ssence of my vinyl rig, yet has  ≤✔"all the detail and preci↑∑∏sion that quality digital playbac©α♣k is renowned for. On "I C§✘¥an See Clearly Now" by t←πhe Holly Cole Trio I <αam deeply appreciative of how natura≥≈♦±l and unforced Cole'€↓s vocals come through the system. Th✔‍'•is presentation truly reminds me of my☆∞< best moving coil cartri$∞®¶dges, with nuance and detail while mβλ<aintaining an ease of prλ✘"•esentation that just does no≈♠ t occur with most digital systems.™÷ The acoustic bass is p±✘β®owerful with remarkable exten→♦ ♠sion to the lowest registers, yet the£₽ resonance and tone of the wood λ∞"≠body clearly comes throγ♣ugh in spades. The piano '♥passages also have lovely tone and text±↓♣Ωure, yet detail and har'☆γ™monic structure is authσ ∞₩entic and natural. Wha→✔≥t is absent from the Cen.Grand βλ$DAC is any etched instrφ±→↑uments, cold and har≈ shness, or lean and clinic λλal tone. The DSDAC1.0 (Deluxe) DAC do♠‌‌‌es not prioritize detail retr✔☆≥ieval, yet it maintains all×Ω these critical elements'φ, yet the essence of the performa'‌nce is honored and preserved.Ω∏γ This is what audiophiles →‍should expect from their systems, an↓εd the Cen.Grand DAC certainly≈<↔ meets this expectation.

With the DSDAC1.0 (Deluxe) the user has©‍♣ a variety of sampling rates to sel♥'±ect. With PCM source data DS÷λD256 is the only output availaε×βble in non-rising mode. With Risinπ‌g mode select the choice♦λ©s range from DSD128, and then you p∏π&♣rogress through DSD256₩​✘λ, DSD512, and top out♦ ✔ at DSD1024. Additionally, DSD64 Ω​&can be inputted via S/PDIF cable$☆ in DOP mode, and DSD512  φnative through the USB input. This&∞ ​ leads to the question of which sampl™≤↔ing rate is the best? This is a mo≤∞re nuanced question than one might firβπ®st expect, and the answer r₹☆φεeally depends on both t≈'↓he system and the listener. On one hand∞≤☆ a person might expect the highest §γ¥DSD rate to have the grea© ∞test detail and resolution, yet on the ≈₹flip side the first DSD r¥®÷ate may represent the least altered s'β₽ignal. At least this ®>is the way the typical hobbyist would§≠♦↑ look at this question,∏' and I do believe there is an eleme‍‍nt of truth in this perspective. Wπ>ithin the context ofπ© my system, I find a preference ©↑€for DSD128 in rising mode or DSD25γ↓&§6 non-rising, as these setting÷₩s provide a higher degree of ✔ tonal density and textu‍¥¥→re to instruments; while v±←oices tend to ebb an♦ d flow naturally. Now in another sy↕₩stem with a different voici×‌ng, I can see where the higher settiδ♥δngs of DSD512 and DS✘€D1024 would be preferable, and I can ★↓appreciate the flexibi™γlity that is availab₹₹le with this DAC. Whenβ¶‌ playing "Small Blue Thiβ©λng" by Suzanne Vega the prφ§Ω∏esentation of the song was ​"∞‍dark, complex, and melo'∑dic without any hard edges to the∑↓¥​ music. Do remember tβσ>πhat the Martin Logan CLX ART ★• speakers are truth tel™σ♣lers at their innermost core,£§ε and any music that is etcφ×∑©hed or bright will not be romantic∏¶×±ized in any way. When chan☆₽<∞ging the rate to DSD1024 the sp᧣atial footprint of t∑♠he music is diminished, and the dec‌<‍ ay pattern of the acoustic gu©✘£÷itar notes shifts to being clippedδ€<λ and truncated. These are not lar±✘ge-scale differences, yet stil♥λδl very apparent withi÷λn the context of my system. §♣Yet this alternate pre™¶sentation that occurs ma♠σ≤↓y be exactly what a d↓♣π¥ifferent type of system ‌≤✔appreciates. For instan"≠××ce, a horn-based system may res©♥÷pond quite positively to these ↑>✘↑differences. The choices of ≈"<sampling rates allow the owner of t♠®©£he Cen.Grand DAC to fi<β→nd the proper fit bet×'↕λween source component, the  ±↕program material, and the rest oΩ€f the system. This is a valuable to→♠σol for owners to hav§>¶∞e access to.

      &nb∞♠δsp;如(rú)果有(yǒu)人(rén)問(wèn)我總結Cen.Gra←σ♠↑nd DSDAC1.0（Deluxe）DA✔∏C的(de)聲音(yīn)特性，我毫不(bù↔ )猶豫地(dì)會(huì)用(yòng)“聽(tīng)↓☆©起來(lái)像黑(hēi)膠唱(chàng)片”這(zhè)‍σ₽個(gè)詞彙。這(zhè)個(gè)比喻并非誇張或言過其<§↕實，而是(shì)我能(néng)想到(dào)的(de)最準确的(de)✔$§↑描述。我的(de)參考唱(chàng)片播放(↔‌γfàng)器(qì)是(shì)SOTA Cosmos Eclipse/S∞♠✔✘ME 5組合，配備Transfigurat→✔→ion Audio Proteus唱(chàng)頭。這(zhè)種搭配呈¥₽✔ 現(xiàn)出一(yī)種連貫性的(de)音(yīn)質，有(yǒu)一 '&•(yī)種細膩的(de)流暢性，是(shì)我所接觸的(de)任何數₽¥®(shù)字模拟轉換器(qì)所不(bù)及&​π的(de)。SOTA組合不(bù)缺乏低(dī¥​≠>)級别的(de)細節，也(yě)沒有(yǒu)動态×≥π限制(zhì)，并且不(bù)會(huì)在音(y&♥βεīn)樂(yuè)的(de)頻(pín)率極限上(shàng)出現(xiàn)Ω®↓✔滾動。Cen.Grand DAC呈現(xiàn)出一(yī)種連貫性∏÷∞♥，密切追蹤著(zhe)我黑(hēi)膠設備的(de)本質✔£，同時(shí)又(yòu)具備了(le)→'←β優質數(shù)字播放(fàng)所具備的(de)所有(yǒu)細節和(hσ→≠é)精準度。在Holly Cole Trio的(de)×₩£“I Can See Clearly No≠ ₩w”中，我深深欣賞到(dào)Cole的(de)自(zΩ←±ì)然和(hé)不(bù)做(zuò)作(zuò)的(de)聲音(yīn)α₩&穿透系統的(de)方式。這(zhè)種表現(xiàn)✘Ω$£真正讓我想起了(le)我最好(hǎo)的(de)動圈唱(chàn​★g)頭，帶有(yǒu)微(wēi)妙的(de)細節<₩，同時(shí)保持了(le)一(yī)種不(bù)多™"•(duō)見(jiàn)于大(dà)多(duō)數(shù)數↕→(shù)字系統的(de)表現(xiàn)輕松。低(dī)音(yīn)吉他(t ε÷ā)的(de)表現(xiàn)非常強大(dà)​Ω±→，延伸到(dào)最低(dī)音(yīn)域∑←©，但(dàn)木(mù)體(tǐ)的(d• ¥©e)共鳴和(hé)音(yīn)色清晰地(dì)傳遞出來(× >lái)。鋼琴樂(yuè)段也(yě)有(yǒu)美(měi)妙的(d≥π☆e)音(yīn)色和(hé)質地(dì)，同時(shí)細節和(h★≠é)諧波結構是(shì)真實而自(zì)然的•&×(de)。Cen.Grand DAC缺少(shǎo)的(de)是Ω₽‌(shì)任何雕刻感的(de)樂(yuè)器(qì)、冷(lěng)酷和(h≤♥•φé)刺耳的(de)音(yīn)色，或者單調而臨床的(de)音(yīn)色。D​✔♣SDAC1.0（Deluxe）DAC并不(bù)優先考慮細節的(de ®)檢索，但(dàn)它保持了(le)所有€→α±(yǒu)這(zhè)些(xiē)關鍵元素，®♥₽而性能(néng)的(de)本質也(yě)得(de)到(dàoεβ)了(le)保留。這(zhè)是(shì)音(yīn)響發燒友(y"¶‍ǒu)應該從(cóng)他(tā)們的(de)系∞£統中期望的(de)，并且Cen.Grand DAC确實滿足了(le)這(zhè ")一(yī)期望。

       ♣★使用(yòng)DSDAC1.0（Deluxe），用(y® αΩòng)戶可(kě)以選擇各種采樣率。對(duì)于PCM源數(shù)₩♦據，DSD256是(shì)非升級模式下(xià)唯一(yī)可(kěδ↕)用(yòng)的(de)輸出。在升級模式下(xià)選擇，₽↔選擇範圍從(cóng)DSD128開(kāi)✘λ ♥始，然後逐步提升到(dào)DSD256、DSD512，最高(g >→∏āo)達到(dào)DSD1024。此外(wài)，可(kě)←​以通(tōng)過S/PDIF電(diàn)纜以DOP∞‌¥$模式輸入DSD64，也(yě)可(kě)以通(tōng)φ∞過USB輸入進行(xíng)DSD512的(de)本機(jī)輸​≥≈σ入。這(zhè)就(jiù)引出了(le)一®&&←(yī)個(gè)問(wèn)題，哪種采樣率最好(hǎo)？這(z←&hè)個(gè)問(wèn)題比人(rén)們最初想象的(de)∞σ₽←要(yào)複雜(zá)得(de)多(duō)，答(dá)案實際上$β↔(shàng)取決于系統和(hé)聽(tīnΩ≤g)衆。一(yī)方面，一(yī)個(gè)人(rén)可(kě)能(n↑£♥±éng)期望最高(gāo)的(de)DSD速率具有(yǒu)最大(λ÷Ωdà)的(de)細節和(hé)分(fēn ε§)辨率，但(dàn)另一(yī)方面，第一(yī)個(g¥↔↑≈è)DSD速率可(kě)能(néng)代♦♦表著(zhe)最少(shǎo)的(de)改變信号。至少(shǎo)這(λ¶zhè)是(shì)一(yī)個(gè)​≠•普通(tōng)發燒友(yǒu)會(huì)考慮這(zhè)個(gε↑è)問(wèn)題的(de)方式，我相(xiàng)信這(zh​ε¥∞è)個(gè)觀點有(yǒu)一(yī)定的(de)道(dào ≥)理(lǐ)。在我的(de)系統環境中，我更傾向于升級模式下(₽♥xià)的(de)DSD128或非升級模式下($★≠₹xià)的(de)DSD256，因為(wèi)這(zhè)些(xiē)設置為(÷δ↑wèi)樂(yuè)器(qì)提供了(le)更高(gāo)δ®"的(de)音(yīn)色密度和(hé)紋理(↑'lǐ)；同時(shí)，聲音(yīn)也(yě)自(zì)然地(dì)₹γ↕←起伏流動。現(xiàn)在在另一(yī)個(gè)系統中∞↕ ✘，我可(kě)以看(kàn)出DSD512和(hé)DSD10©→✔24的(de)更高(gāo)設置可(kě)能(néng)更可(kě)取₩↔♠，并且我也(yě)能(néng)欣賞到(dào)這(zhè§✘©)款DAC提供的(de)靈活性。

      &n≈→€bsp;當播放(fàng)Suzanne Veg≈∏ a的(de)《Small Blue Thing》時(shí)，歌(gē)曲>©ε≥的(de)呈現(xiàn)是(shì)暗(àn)淡、複雜(zá)而且&↔≈ 旋律優美(měi)，沒有(yǒu)任何音(yīn)樂 ₽σ(yuè)中的(de)生(shēng)硬邊緣。請←π≈←(qǐng)記住，Martin Logan CLX ART音(yīn)箱是(s α‍hì)最為(wèi)真實的(de)音(yīn)箱，↑®在其內(nèi)核中，任何輪廓清晰或明(míng)↕×→亮(liàng)的(de)音(yīn)樂(yuè)都(dōu)不(bù)♥₽<'會(huì)被賦予任何浪漫的(de)想象。當♣©♦将速率改為(wèi)DSD1024時(shí)，音(y₩ ↑♥īn)樂(yuè)的(de)空(kōng)間(jiān)£©β特性被減弱，且原本的(de)木(mù)吉他(tā)音(yīn÷←λ>)符的(de)衰減模式變得(de)被剪裁和(hé)截斷σσλπ。這(zhè)些(xiē)差異并不(bù)是(shì)大(dà)規模的(de)✘ ε，但(dàn)在我的(de)系統環境中仍然非常明(mín≠₽¶g)顯。然而，這(zhè)種不(bù)同的(de)呈現(xiàn)方¥σ₽≠式可(kě)能(néng)正是(shì)另一(yī)‌©種類型的(de)系統所欣賞的(de)。例如(rú)，基于喇叭 §的(de)系統可(kě)能(néng)會(huì)對(duì)這(zhè)些‍®'(xiē)差異産生(shēng)積極的(d¶←e)反應。采樣率的(de)選擇使Cen.Grαγλand DAC的(de)用(yòng)戶能(néng)夠在源組件(★→‌£jiàn)、程序材料和(hé)系統的(de)​♥↑其他(tā)部分(fēn)之間(jiān)找到(dào)合适的(de)匹配。γ≥α這(zhè)對(duì)于用(yòng)戶來(lá$δ ¥i)說(shuō)是(shì)一(yī)種有₩£★(yǒu)價值的(de)工(gōng)具。

The Cen.Grand DAC deftly balances ±€•aspects of resolution and tonal densitφ<£•y with a smooth and unforc•×≥ed delivery that brings the beauφ∑₹♦ty of music to the forefront. Tφ∞he spatial presentation ÷∑‌>of the DSDAC1.0 (deluxe) consis•©‌ tently stood out in my listeni<≠βng sessions. The album House of Sleeping Beaut✔ ☆₹ies by Lucia Hwong has beφ$γen a reference piece for me for many ye≈↑ars, and early on I planned to gi₹÷'§ve this album an in depth listen. &¥ What I discovered is this pi÷≥★ece creates a wondrous ta§&↔♥pestry of music, with a cohesive presen↓✘tation that I have not experience←±§•d with another digital component. ↕™®​I have encountered other DACs that ©$generate a large soundst§÷<age, but in certain ways the music fee₽÷ls either fragmented or p≠♣β★resents as a patchwork of•≠♦♣ sounds. What amazes me is this>β album is a synthesis of acou₩λ<✘stic instruments and v¥δ±♠ocals that blends with 㱕♣electronic instruments, yet the final ☆ sound is organic and seamless. Certainσ×ly, the CLX ART speakers are sig©£↓nificant contributors to thγ∞e final sound, yet if ↑×₹Ωthe source component is unable ♣≠¥to faithfully resolve the sourceγ∞ material, then all the delicacy an¥φ≈d beauty is inevitably lost. In•♥∑‍ this album the flutes are haun♦©"φting and melancholy, the tra→≤ditional Chinese stringed instr≠¥↔uments are precise as theiγ÷φ‌r notes cascade through songs. The s←>&ynthesized drum lines ble♦$nd naturally with other instrument✘©$s and have a level of resolution t✔₽≤hat belies its syntheti™> ®c nature. Deep electronic bass movemeφ σnts underpin songs and proviβ♥βde a solid foundation to ""∞the higher register ins‌λtruments. With the Cen.Grand DAC in t₹<☆he system, I have experienced the$♠ finest presentation of this albuα≈m that I can recall, which ™λ₽δis quite a memorable experien§¶ce.

One weekend I bypassed the Trin π£ov preamplifier and connected the Cen.G↔σ €rand DAC directly to the Clas×☆∞se Omega mono-block amplifiers vi∑"a the XLR connections. This compoε&nent has a proprietaryελ∑π linear balanced output stage ×​××and a sophisticated volume co♣♥ntrol based on a resistor ladder ✔​>design. These elements hint a€≠ t preamplifier functions that are w∏®orthy of being used in a higα ↕h-performance audio system. •©Once installed I dec∏< &ided to play the album Graceland by Paul Simon. In &qu←£ot;Diamonds On the S≈♣oles of Her Feet" the openin±‌g vocal passages are remark€¶able in terms of texture, ✘δ ↓acoustic space, location in th≤∞Ω≥e soundstage, and an overall ₩€<natural presentation. &♥δOnce the music started the d ‍&rums were dynamic and ✔γ&₩forceful, and yet still had ±®β✘a wonderful decay pattern followinσφ≠g each strike. Guitar pass≠ ✘®ages are precise and shar∑€p, and Simon's voic₹≠∞e retains a natural presentation and i£<↑s clearly defined within the soundst™>δ♣age. I followed this son αg up with "At This Poi★♠nt in My Life" byλδ Tracy Chapman, also soun←≠±ded fantastic playing'> through this system configurati♣©on. Vocals are clearly de ↓÷φfined, natural in tone, and ♠✘♥emotionally expressi♥<α×ve. The electric bass guita™✔r is resonant and rich<€₩, with a large presen↔☆∏™ce in the song. What stru'£↕ck me is how real all the₩¥​ instruments are presented→÷∑©, with proper texture, t← ✔one, and dynamic contrasts. If a per¶±son wants to run a digi"εtal only system, the DSDac1.0 (d&$Ωγeluxe) is an excellent s↓&¶δtandalone component that only needs a →π→₩quality power amplifier and speakers ♥∏‌$to complete a system.

       Ce☆♠≈n.Grand DAC 巧妙地(dì)平衡了(le)分(fēn)辨率和(hé)↑α×音(yīn)色密度的(de)各個(gè)方面，帶來(εγ€lái)流暢而自(zì)然的(de)效果，将音(£×≈yīn)樂(yuè)的(de)美(měi)好(hǎo)展現(xiàn)得(de←£)淋漓盡緻。DSDAC1.0 (deluxe) 的(de)空(kōng)× λ"間(jiān)表現(xiàn)始終在我的(de)聆聽(tīn♥←‍σg)過程中脫穎而出。Lucia Hwong 的(de)專輯《睡(shuì)美(≤ ¶​měi)人(rén)之家(jiā)》多(d≈•uō)年(nián)來(lái)一(yī)直是(shì)我的(d≈εe)參考曲目，一(yī)開(kāi)始我✔φ‍₽就(jiù)計(jì)劃仔細聆聽(tīng)這(zhè)張專輯。我發現(§β≤xiàn)，這(zhè)首作(zuò)品以一(yī)種↓☆→÷凝聚的(de)方式創造了(le)奇妙的(de)≈ ✔音(yīn)樂(yuè)織錦，這(zhè)是(shì)我從(cóng)未在€α其他(tā)數(shù)字器(qì)件(jiàn)上(shàng)體(tǐ)驗✔↑¶過的(de)。我遇到(dào)過其他(tā)能(né&>←σng)夠營造寬大(dà)音(yīn)場(chΩ&ǎng)的(de) DAC，但(dàn)某些(xiē)方λ↔π面，音(yīn)樂(yuè)要(yào)麽感覺支離(lí​✔β)破碎，要(yào)麽感覺是(shì)聲音(yīn)的(d&≥§'e)拼湊。令我驚訝的(de)是(shì)，這(zhè)張專輯融合∏×₩了(le)原聲樂(yuè)器(qì)和(hé)人(rén)聲，與電∑ ↑(diàn)子(zǐ)樂(yuè)器(qì)完美(měi)融合，但(dà€π€n)最終的(de)聲音(yīn)卻是(shì)渾然一(yī)體(tǐ)的(≈φ$de)。當然，CLX ART 揚聲器(qì≤‌∞)對(duì)最終聲音(yīn)做(zuò)出★α→α了(le)重大(dà)貢獻，但(dàn)如(rú)果源器(≤ →γqì)件(jiàn)無法忠實解析源材料，那(nà)麽所有α" (yǒu)的(de)細膩和(hé)美(měi)妙都(dōu∑π)将不(bù)可(kě)避免地(dì)失去(qù)。在這(zhè)張專輯中，₩←長(cháng)笛音(yīn)色幽怨動人(rαφ&én)，中國(guó)傳統弦樂(yuè)‍★ α器(qì)精準清晰，音(yīn)符層疊如(rú)歌(gē)般流∏♠£β淌。合成的(de)鼓聲與其他(tā)樂(yuè)器(qì)自(zì)然融α™•合，其解析度讓人(rén)難以相(xiàng)信其合成的(de)本質。深邃​Ω的(de)電(diàn)子(zǐ)低(dī)βδ 音(yīn)貫穿歌(gē)曲，為(wèi)更高(gāo)音(yīn)區(qū®≤ )的(de)樂(yuè)器(qì)提供了(le)堅實的(de)基礎。搭≤¶配 Cen.Grand DAC 時(shí)，我體(tǐ)驗到(≈₹♦dào)了(le)迄今為(wèi)止最好(hǎo)的(de✘  )這(zhè)張專輯呈現(xiàn)，這(÷↕zhè)是(shì)非常令人(rén)難忘的(de)體(t→∑∏¶ǐ)驗。

       一(yī♦π)個(gè)周末，我繞過了(le) Tri"γ←↔nov 前置放(fàng)大(dà)器(qì)，直"↔↔接通(tōng)過 XLR 連接将 Cen.Grand DAλ≈C 連接到(dào) Classe Omega ≤↕單聲道(dào)功率放(fàng)大(dà)σ↑∏器(qì)。這(zhè)款器(qì)材擁有(yǒu)一(yī)≠£個(gè)專有(yǒu)的(de)線性平衡輸出級✔¥₩ 和(hé)基于電(diàn)阻梯形設計(jì)的(deσ≠→)精密音(yīn)量控制(zhì)。這(zhè)些(xi<↑π​ē)元素暗(àn)示了(le)在高(gāo)λ↓α性能(néng)音(yīn)頻(pín)系統中值得(de)使÷✔用(yòng)的(de)前置放(fàng)大(dà)器™≠(qì)功能(néng)。安裝完成後，我決定播•☆ 放(fàng)保羅·西(xī$®♠₽)蒙的(de)專輯《Graceland》。在《Diamonds On the↑★​ Soles of Her Feet》中，開(kā σ$i)場(chǎng)的(de)演唱(chàng)段落在紋↕α≥÷理(lǐ)、聲學空(kōng)間(jiān)、音(yīn)場(chǎng≤σ§×)位置以及整體(tǐ)自(zì)然呈現(xiàn)方面  都(dōu)令人(rén)印象深刻。音(yīn)樂(yuè)一(yī)響起，∞<♣&鼓聲就(jiù)充滿活力和(hé)力量，但(dàn)擊打後δ$✘的(de)衰減仍然非常悅耳。吉他(tā)演奏精←♣準犀利，西(xī)蒙的(de)聲音(yī¶βn)保持著(zhe)自(zì)然的(de)呈現(xiàn)，在音 α←(yīn)場(chǎng)中清晰可(kě)辨。接下(xià)來(lái)，我播∏®​放(fàng)了(le) Tracy Chapman 的($↕de)《At This Point in→↑π My Life》，在這(zhè)套系統配置下(xià​$♣)聽(tīng)起來(lái)也(yě)同樣精彩↔↕☆。人(rén)聲清晰、音(yīn)色自(zì)然、情感豐富。電(diàn)§ 貝斯共鳴豐富，在歌(gē)曲中占據重要(yào)位置。讓我感動γ↕©的(de)是(shì)所有(yǒu)樂(yuè)器(qì)都(dōu)呈現(x≤₽iàn)得(de)如(rú)此真實，紋理(lǐ)、音(‌​yīn)色和(hé)動态對(duì)比都(dōu)恰到(dào¶ €)好(hǎo)處。如(rú)果想建立一(yī)個(gè)λ‌¥純數(shù)字系統，DSDAC1.0 (de≠&luxe) 非常适合單獨使用(yòng)，隻需搭配優↔ •$質的(de)功放(fàng)和(hé)揚聲器(qì)即可(kě)完成系統。©$↕≤

Technology, build qu ↔♣<ality, and visual appea↕≥↕rance are aspects of audio compo‌ ∑nents that pull at the heart♠δε strings and speak to our inner au☆♥diophile. Yet at the end of ₩Ω∞πthe day, the most overriding facto♠‍≠♣r of a piece needs to be "H♦® ow well does this piece allow me to enj≠↔÷±oy music?" Outstanding componen‍★γ&ts transport the venuβ‌e and artists to our listening ro•π↔om and provide an expe♥✘×<rience of a slice of time that has π®♣passed us by. Tom Waits had the δ×±following quote that expr₽∞®‍esses this idea concisely: "Songsγ✔&δ really are like a form of time t♥π$∞ravel because they really have moved ≤λ&₩forward in a bubble. ÷πEveryone who's connected with i≥≤‍t, the studio's gone, the musici∏ε ans are gone, and the only thinσ♥§∑g that's left is♠✘ this recording, which$♥ was only about a three-minute period☆≈♠ maybe 70 years ago.♥π®" The Cen.Grand DSD€≠≠AC1.0 (deluxe) is one of the few com₩>"ponents that can harness all the techno§≥logy available to us and provide₹"• a musical experience. If I wer↑"∞→e asked to sum up the presentation ✔↑δλof music, I would say it is anaβεlog like. Which means there is deta≥∞il and resolution, yetβ®  the music flows and ebbs in a way that¥₹Ω≈ is unhurried and graceful. Perfλ ±ormers are tightly focused, theλΩ timing between instruments is be↑δ‍‍lievable, there is an even t±ε✔ onal balance in all registers, and t" ♠he acoustic space is clearly d∑δ±∞efined. The overall ™₹build quality and construction of t‍ ××his DAC is superb, and you get a  β♥φfinely crafted component. Yes $6000 is ★★→more expensive than the average DAC in λ✘our current market, yet in this ca≠"se you get what you pay for. T® his piece is certainly one→§★ of my favorite components I hav§∑e had the good fortune to ta¶↔π≠ke up an extended residence in my home.φ♦φ≥ I hope you can listen to the DSDAC1.0φ¥ (deluxe) as this is an outstδπanding machine on so m ∑←★any levels, as you getα"♣ first rate sound quality combined"∞∞→ with artisan level buil∑≤₩↔d quality.

       技(jì)術(∏επshù)、質感、美(měi)觀，音(yīn)響器(qì)₩¥±材的(de)這(zhè)些(xiē)特質往往觸動發燒友(y←'✘ǒu)心弦，喚醒內(nèi)在的(de)樂(yuè)迷♥ε<靈魂。但(dàn)歸根結底，衡量器(qì)✘≠‌β材的(de)最高(gāo)标準隻有(yǒu)一(y ‌ī)個(gè)：它能(néng)讓你(nǐ)多(duō)沉浸于音(‍✔yīn)樂(yuè)之中？ 傑出的(de)器(qì)材能(néng)将演奏現(xiàn)✘↓₩場(chǎng)和(hé)藝術(shù)家(jiā)→©>們帶入你(nǐ)的(de)聆聽(tīng>•)室，讓你(nǐ)體(tǐ)驗到(dào)那(nà)逝去(qù)的(de)時✘  (shí)光(guāng)片段。正如(rú)湯姆·威茨所說(sh©≠©uō)：“歌(gē)曲是(shì "↕)時(shí)旅的(de)一(yī)種形式，它€ £們被包裹在氣泡中前進。所有(yǒu)與之相(xiàng)關的(de)人('™rén)，錄音(yīn)室和(hé)音(yīn)樂(yuè)家(¥​₩ jiā)都(dōu)已消逝，隻剩下(xià)了(le)這(zhè)段©<錄音(yīn)，也(yě)許是(shì)70年(niá₹σn)前的(de)三分(fēn)鐘(zhōn&±®πg)片段。”

      &♠✘∞nbsp;Cen.Grand DSDAC1.0 (Deluxe) ↔€✘¥就(jiù)是(shì)少(shǎo)數(shù)能(néng)駕馭現×↑ (xiàn)有(yǒu)技(jì)術(shù)，為(wèi)你(n₹&ǐ)提供卓越音(yīn)樂(yuè)體(tǐ)驗的(↔₹de)器(qì)材之一(yī)。用(yòng)一(yī)句話(huà)概 $£₽括它的(de)音(yīn)樂(yuè)呈現(xiàn)，我會(huì)說(s→↑huō)它是(shì) 類比般的(de) 。既有(yǒu)豐富細€≈α&節和(hé)解析力，音(yīn)樂(yuè)流↕≈♣動自(zì)然，舒緩優雅。演奏者清晰精準，樂(yuè)器(qì)↑​間(jiān)的(de)配合精準可(kě)信，各音(yīn)域音(yī✔₽≈↑n)色平衡，聲場(chǎng)清晰明(míng)朗。這(zhè)款 DAC 的∞©✔÷(de)整體(tǐ)品質無可(kě)挑剔，精工(gōng)細作(☆♥zuò)，堪稱藝術(shù)品。 ♠φ;是(shì)的(de)，6000 美(měi)元的(de)價格高 ≥₹σ(gāo)于市(shì)場(chǎng)平均水(shuǐ)平，但(dàn)這¶₽•(zhè)筆(bǐ)投資絕對(duì)物(wù)有(yǒ>∏↕u)所值。它是(shì)目前我非常喜愛(™&↓‍ài)的(de)器(qì)材之一(yī)，有(yǒu)幸長(chángσ∞∞)期占據我的(de)聆聽(tīng)空(kō≥✔≠‌ng)間(jiān)。我希望你(nǐ)也(yě)能(néng)夠有(yǒΩ∞¥u)機(jī)會(huì)聆聽(tīngβ×≥™) DSDAC1.0 (Deluxe)，這(zhè)是(shì)一(yī)台✔←β各方面都(dōu)出色的(de)機(jī)器(q &♠ ì)，為(wèi)你(nǐ)提供一(yī)流的(de)εα音(yīn)質和(hé)匠(jiàng)人(rén)級别的(de)品質。πγ